crease crease crease crease crease, eyeliner top and bottom

WATCH: Backstage at Wicked Learning Elphaba Makeup

Shane sculpts a character bust and shows you his process in using SpotLight to project a texture onto his character's hat.
Make sure to tune in when he's live to sculpt along!


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Shane Olson - Sculpting Stylized Characters - Episode 39

In this episode you'll see the gang at Club Aura celebrating Nigerian Independence Day, they you catch TaylorVOE and Spacely in the studio. On the third day Alpha gang is out shooting a music video for Spacely. 

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VOEDOCs #19 - Club Aura/Studio Session/Music video

LIVE COVERAGE: FL v. Anthony Todt Trial - Physical Therapist on Trial for Allegedly Murdering His Family

Happening in Court:
Prosecution Opening Statement By Danielle Pinnell
Defense Waivs Their Opening Statement
Sergio Montanez - 911 Operator
911 Call From Chrissy Caplet
Robert Barroso - Osceola County Sheriff's Office
Stephanie Koffinas - 911 Dispatcher
Ofc. Michael Phelps - Osceola County Sheriff’s Ofc.
Christopher Boos - Osceola PD
Ofc. Emily Seda - Osceola Co. Sheriff’s Office (Forensic Technician)
Selena Melendez - Forensic Technician
Erin West - Osceola Co. Sheriff’s Ofc.

A man is on trial for allegedly murdering his wife and kids, and killing the family dog. Anthony Todt, 44, stands trial in Osceola County, Florida. Opening statements are scheduled to begin Monday, April 11, at 9 am ET. 


Todt, a physical therapist who worked in Connecticut and lived in the Sunshine State, allegedly killed wife Megan Todt, 42, as well as their three children Alec Todt, 13, Tyler Todt, 11, and Zoe Todt, 4. He even slew the family dog Breezy.

Federal authorities had been seeking him at the time, saying he charged Medicaid for unworked hours. Naturally, a fraud case pales in comparison to the grisly state prosecution for four counts of first-degree murder, and one count of cruelty to animals. With that in mind, federal prosecutors filed a motion to dismiss without prejudice because they did not want to stand in the way of Florida officials. They can refile later.

The family also faced eviction from their home in a case filed Dec. 22, 2019, just weeks before deputies found defendant Todt at the residence with the bodies.

Booking photo via Anthony Todt.
Anthony Todt.

Investigators say Anthony Todt confessed to the killings in interviews shortly after his arrest. Though a judge suppressed an early portion of that because a detective failed to give a proper Miranda warning, the admission of guilt is ultimately making it to trial because Todt allegedly kept on talking to authorities, repeating the confession in a follow-up interview.


Associate Medical Examiner Jennifer Nara found the deaths to be homicide, though she could not determine “the exact mechanism of death,” and had to rely on the alleged confession and other circumstances in her decision.

Defendant Todt walked back that confession. He blamed his wife for the killings in a letter to his father, according to the document obtained by The Orlando Sentinel from the prosecutor’s office.

[Booking photo via Osceola County Jail]

WATCH LIVE: FL v. Anthony Todt Trial Day 1 - Erin West - Osceola Co. Sheriff’s Ofc.

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Paintings are interesting, yes.  But sometimes the story of who painted them, the lives that they as objects lead and in the case of this lovely portrait by John Harrison Mills, the circuitous route that brought them to the studio threaten to upstage the painting a bit.
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Coming Home

This describes how to put down paper stencils to create imagery on clay. Using layers of slips and under glaze. The image and design shown is the property of the artist Vaughan Smith and all rights are reserved under copyright laws. Using this technique developed by me in 1983 I have created both functional tableware and large sculptures, as shown in this video. I hope revealing this technique will encourage other artists to create their own  imagery and artwork. When the pandemic is over we may teach this technique in workshops at the studio here in Nova Scotia. Clay and raw materials including water content are different in chemistry, depending on your location, so testing is important to insure good fit between the different layers of slip, clay and glaze. The issues if not addressed include crazing and shivering which can pose a danger, especially the shivering. Leaving paper stencils on is especially dangerous, food or drink can cause blistering of the glaze/slips and release sharp particles into the contents of the pot.

Stencil and masking techniques in slip

Crease

Full 80 minute premium critique for this lesson at http://proko.com/anatomy

We’re back for Part 2 of the Hand Critiques. This time I want to help you improve the way you’re drawing fingers. I’ll go over a few things that will help you make your fingers more expressive, dynamic and 3D. I’ll show you how to avoid 2 common mistakes - snowman and sausage fingers.

If you haven’t seen the main lessons on hands, make sure to watch those:

How to Draw Hand Bones:  https://www.youtube.com/watch?v=rJjMiXlq9ns&list=PLtG4P3lq8RHExM4hzeEW2TRZTB88wKKYf

Part 1 - Muscle Anatomy of the Hand:  https://www.youtube.com/watch?v=7xsqbwu_nMI&list=PLtG4P3lq8RHExM4hzeEW2TRZTB88wKKYf&index=2

Part 2 - Details for Realistic Hands!:  https://www.youtube.com/watch?v=a4qR2J5EL9M&list=PLtG4P3lq8RHExM4hzeEW2TRZTB88wKKYf&index=3

Part 3 - Drawing Hands from Imagination:  https://www.youtube.com/watch?v=kV2e_v5Pqho&index=9&list=PLtG4P3lq8RHExM4hzeEW2TRZTB88wKKYf

Tips on Shading and Drawing Hands:  https://www.youtube.com/watch?v=cx0a2H33Dfg&index=8&list=PLtG4P3lq8RHExM4hzeEW2TRZTB88wKKYf

How to Draw a Fist:  https://www.youtube.com/watch?v=YB757Nv0cCk&list=PLtG4P3lq8RHExM4hzeEW2TRZTB88wKKYf&index=6

How to Draw Cartoon Hands:  https://www.youtube.com/watch?v=d-3v1HEmPOo&index=11&list=PLtG4P3lq8RHExM4hzeEW2TRZTB88wKKYf


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CREDITS:

Artist | Instructor | Producer - Stan Prokopenko (http://www.stanprokopenko.com)
Production Assistance - Sean Ramsey (http://www.peoplewhodrawstuff.com), Brandon Storer, Cody Shank
Editing - Yana Popova, Sean Ramsey, Stan Prokopenko
Students - Nicholas Allott, Neville Harvey, Nick Valente, Sharleen Cu, Jaclyn Quijano, Sonal Prabhune, Christian Aarestrup, Casper Uldal Olsen, Don Sandor, Lucian Smoot, Fiona Prior, TreeZa MaGdy, Cristian Camilo Guzman

Music Used with Permission
Intro - The Freak Fandango Orchestra

#DrawingFingers #DrawingMistakes #ArtCritique

All right, guys, welcome back to the "Hand
Critiques."

And your watching the free version of the
critique session.

In this one I'm gonna focus on one problem,
which was designing fingers.

I felt like you guys could make your fingers
look a little bit better.

So I'm gonna talk a little bit about a few
tips, on designing fingers.

If you wanna watch the full premium version,
go to proko.com/anatomy.

And you'll see all the critiques, for everybody
that I did.

So let's talk a little bit about finger design.

In this case, like let's just take a look
at the pinkie.

What I'm noticing you're doing is a lot of
the same curve over and over again for the

I mean, you got the same thing going on all
the other fingers, just the same curve over

I wanna see a little more variety, and I want
you to put curves in when you feel like the

curves will help the gesture of that part
of the finger, and put more straights where

You know, a straight would be better or an
S-curve and how much of C-curve is gonna be

For first of all, variety and second, you
know, try to find a gestural flow through

You kind of have one on the back, I kind of
see like a subtle S-curve.

But then you don't really follow that same
gesture on the front, and you should a little

So I have kind of an S-curve and then I exaggerate
that a little bit, actually.

I kind of like how this swoops back this way
at the tip of the finger.

And I'm showing knuckles, knuckle indications
over here.

But overall, it is kind of an S-curve shape.

And I'm not gonna start with those three curves
of the different segments.

So that's the flow I want the pinkie to go
in.

Now, I can add curves depending on where I
wanna show more bend.

I feel like this first segment has the most
bend.

You know, if I put this crease in, I'm gonna
show a pretty strong crease, maybe even a

I mean, that's just a choice, but maybe I'll
do that with this one.

And then curve here, showing a little bit
of a pinch.

Then in the middle segment, I'm gonna do more
of a straight.

And then in the last one, it's more of a swoop
back this way to a point on the finger.

And the crease in this area between the second
and third segment, I'm not gonna put as deep

of a crease because, you know, this finger
is bending or this segment is bending back.

You know, it's not pinching as much as the
second segments are.

So I'm gonna still add that little crease,
but I'm gonna put it real subtle like that.

So now I'm showing more tension and action
in this area, less in this area, and I have

variety in my contour, curve, straight, and
then swoop back this way.

So the swoop in here is a different shape
than this one here.

And then also I have gesture in the back.

So overall, just a much more interesting shape,
much more dynamic shape.

I'm not, you know, falling for that snowman
trap where, you know...you guys know the snowman

You are adding some good variety on the back
plane, but you kind of have half of a snowman

effect where you have that same shape over
and over again on the fat pad.

Okay, let's take a look at one more of your
drawings.

So with this one, I have a side-by-side comparison.

This was just, I think, the quickest way for
me to really point out the key differences

You have crease, crease, crease, crease, crease.

You know, you're starting to throw in all
of these little details throughout the surface

I probably actually have more details, but
those details that I'm putting in don't hide

You can feel very obvious a very obvious box
or a side plane right there online.

Even with all the little creases going across
it, I still have a very obvious core shadow

So let me erase my lines just so you can actually
see the drawing.

I started with that line going across the
side plane and then I broke it up with some

creases, and you can still see that side plane.

The other thing is that your creases, like
on the fingers, they don't show either the

They're just flats, just divisions of the
segments, like if you look at this pinkie

What you drew is more like you maybe started
with a flat outline and then you divided it

What I'm thinking about is first kind of this.

It's just kind of an overall shape, but I'm
thinking of exaggerating the gesture a little

There's that pinkie shape, the gesture of
the pinkie shape.

And now, when I add the divisions of those
creases, I'm gonna think of the volumes and

So the overlap of the creases or the overlap
of these different segments on the contour

is more important than the crease itself.

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